Leaving Mumbai

After 4 years on the project and a year as Director I’ve packed my bags and said goodbye, for now, to my fabulous friends, colleagues and community at the Museum of Solutions (MuSo), Mumbai. Thank you! I am overwhelmed by your kindness and generosity and I’ve learned more from you than you’ll ever know!

It was a privilege to help nurture this new museum and its library (LiSo, the Library of Solutions) from concept to reality; to help build and lead the founding team; and to welcome tens of thousands of visitors to our new state-of-the-art building — “a world-class space to champion the art of finding solutions,” as a reviewer at Condé Nast Traveler recently put it — unique in Mumbai and India, if not the world.

Four years ago Tanvi Jindal, MuSo’s founder, asked if I would help her think about a new “museum of solutions” she was envisioning for the site of an old industrial building in the middle of Mumbai.

How could we create a new kind of museum in one of the world’s largest and most challenging cities to catalyze action for the U.N. Sustainable Development Goals, foster new approaches to education, and help young people make meaningful change in the world together?

…And could we also make it fun?

Though Mumbai and India were new to me, this question of museums, play, and civic impact was not. Through years of work with the Smithsonian Institution, the U.N., and other cultural and civil-society conveners around the world I’ve been part of a decades-long movement to *flip the script* on traditional museum practice and help people use their own cultural institutions as platforms for the public good.

And this moment demands nothing less.

With a population of 22 million, Mumbai is indicative of the world’s 40+ megacities (cities with over 10 million inhabitants). Along with megacities like Shanghai, Jakarta, Paris, and L.A., Mumbai is home to daunting social and environmental problems — as well as astonishing creativity and drive. But the problems and the vitality often seem to live in different worlds.

Mumbai is India’s financial capital but over half of its residents live in slums. It is India’s innovation and creative hub (Bollywood! The city of dreams!) but many of its neighborhoods will be underwater by midcentury, drowned by rising seas due to climate change. Education is highly valued, but it is predominantly structured around rote memorization and test achievement, not the world as we see it today.

Young people are often caught in the middle of this dynamic, squeezed between a daily fight for survival, antiquated educational and social systems, and their own profound abilities to see and create a future filled with beautiful change.

Furthermore, young people — all people — have a fundamental human right to be involved in the decisions that will affect their futures, but too few conveners will help them find their way.

If we can learn to solve problems in places like Mumbai we stand a good chance of surviving and thriving in the 21st century. Museums like MuSo can be a kind of civic infrastructure in this regard. By being bold, inclusive, and action-oriented — rooted in reality but also participatory and fun — we can bring people together to build social capital and elevate everyone’s ability to imagine and build a future that is joyous, sustainable, and just.

What’s next for me? I don’t know — I’m still catching up on sleep and processing what I’ve learned! But with any luck, I’ll keep working in this direction: young people and their grownups in vital civic spaces, enthralled by the chance to play and explore together — making life better one small solution at a time.

//

This text is a slightly expanded version of this post on LinkedIn.

Links/references for Living With War and the Lianza New Zealand National Library Conference

logo - text that says "living with war"

Ahiahi pai to all of you at the Lianza 2023 New Zealand library conference (October 31)!

And greetings to my colleagues at the Living with War conference in The Hague (November 3rd)!

For the Lianza conference I’ll be joining you from from inside the wood fabrication shop in the 10,000 square-foot Make Lab of the soon-to-open Museum of Solutions, Mumbai! And on November 3 I’ll be with you in person in The Hague for Living With War.

We are opening in November and we’ll be releasing more info, teasers, and events info very soon!

(You can check out our Instagram {the main platform in India} and website now for some sneak peeks of the building, program, and philosophy. Here’s a short post (about my joining the team) that gives a good short overview of the project. LOL see below for a special personal photo album treat.)

Links and notes related to my talk

  1. Photos — Some photos of the site, construction, and goings on here.

  2. Climate Things — I mentioned the Climate Things initiatives, 23 Climate Things and the Culture for Climate Innovation Prize. We would love to have you all involved - - so drop us a note and let us know how we can help! Special shoutout to the great Erik Boekesteijn (who I believe is with you there today?! Hi Erik!), Jan Holmquist and Julia Matamoros who are bringing their tremendous passion and expertise to the project, and of course our initial group of funders/supporters.)

  3. Culture, climate, and The Big Frikin Wall —This talk was a super-short “reduced Shakespeare” version of longer, more detailed work on the subject of updating library practice and The Big Frikin’ Wall, so here is some more detailed work if you’d like to dig in.

    MuseumNext Interview: Culture, activism, and the big Frikin' Wall - a long interview with me about these ideas

    Video and slides/links for NEMO webinar, Create Dangerously: Museums in the Age of Action - tons of notes, references, and a 45 minute webinar version of these ideas from the Network of European Museum Organizations. (Also a keynote talk from the NEMO 2022 conference in Lisbon.)

    Notes from Digital, Culture, and the Transformation of Europe - a cool set of slides presenting the outcomes/synthesis of a 2021 workshop with library and museum/cultural leaders in Leiden, The Netherlands

…More coming soon. Got to watch the conference talk now!

MuseumNext Interview: Culture, activism, and the big Frikin' Wall

Jim Richardson and Tim Deakin published a long interview with me on the MuseumNext website in advance of the Green Museum Summit.

As a former Director of Web and New Media Strategy for the Smithsonian Institution and co-founder of the Museum of the United Nations – UN Live, Michael Peter Edson’s career has often been intertwined with the big issues over the last 30 years.

He explains to MuseumNext why the landscape has changed for museums and how passivity is no longer an option in the face of urgent issues like climate change. Instead, he advocates for new and dynamic forms of activism in order to have a “consequential impact on the course of the Anthropocene”.

"Digitality" references for MuseumNext and Computers In Libraries

This week I’ll be speaking at the MuseumNext Green Museums Summit and Computers In Libraries (two separate conferences) about “digitality” and climate action in the cultural sector.

Here’s the gist of it: The climate emergency asks museums, libraries, and other heritage, knowledge, and memory institutions a series of tough questions about their purpose and relevance in society. How big can they work? Who do they involve? Who do they serve?

Compared to the scale and speed of the climate crisis and the mind-blowing scope of what we must accomplish together in the next 10, 20, and 30 years, what can the cultural sector do?

These questions are hard to discuss within the cultural sector. Though the humanistic, prosocial values in the sector are strong the sector’s institutions, in particular, are wary of disruption and have evolved to think in conservative, risk-averse ways. But the climate emergency acts like an X-ray or lie detector on institutional thinking, revealing gaps between values and practice that might go unnoticed when working on smaller concerns.

One of those gaps has to do with digital. Digital is currently a blind spot in our thinking about climate action, and in both of these talks I’ll argue that the museum and library sectors are operating with a confused and outdated concept of digitality that impedes our ability to think clearly about the kinds of impact we are obligated to create. An updated concept of what “digital” means in the 2020s — new tools, new skills (and learning to appreciate neglected old tools and skills) and a new understanding of the digital public sphere are all needed to help us find a new direction and unlock new capabilities within the sector and in the communities we serve.

But (or perhaps, and), going there — having a solid conversation about what digital is and can do requires us to question some tightly held assumptions about trust, disruption, and power.

Below are links to slides, references, and other useful/relevant information cited in the talks.

I’ll post slides transcripts from these talks ASAP.

Resources mentioned in the talks

Updates

General intro stuff from first 10 minutes

European climate and recovery initiatives

The European Commission has put €1.8 trillion on the table for the next 6 years’ work on The New European Bauhaus, pandemic recovery, and European Green Deal.

  • New European Bauhaus
    A new EU initiative launched in 2021 to be the cultural front-end for the European Green Deal. “The New European Bauhaus initiative calls on all of us to imagine and build together a sustainable and inclusive future that is beautiful for our eyes, minds, and souls. Beautiful are the places, practices, and experiences that are: Enriching, inspired by art and culture, responding to needs beyond functionality; Sustainable, in harmony with nature, the environment, and our planet; Inclusive, encouraging a dialogue across cultures, disciplines, genders and ages.”

  • Pandemic recovery
    €807 billion for 7 priority areas, including cohesion, resilience, natural resources/environment.

  • Green Deal
    Targets 55% reduction in greenhouse gas emissions by 2030, and by 2050: “economic growth decoupled from resource use”, carbon neutral, and “no person and no place left behind”.

Workshop notes (Digital, Culture, and the Transformation of Europe)

Farhad Manjoo: “A bag of mixed emotions”

Why Tech Is Starting to Make Me Uneasy, Farhad Manjoo, 11 October 2017.

“In 2007, when Mr jobs unveiled the iPhone, just about everyone greeted the new device as an unalloyed good. That's no longer true. The state-of-the-art, today, is a bag of mixed emotions. Check might improve everything. And it's probably all so terrible in ways we're only starting to understand.”

Reactions to Trump withdrawing the US from the Paris accord

Pew Research

I cranked through about 10 years of Pew Research Center reports in trying to figure out the evolution of our concept of digitality over the years. The first link, Visions of the Internet in 2035 | Pew Research Center, was particularly useful for gaining some insight into how “experts” conceptualize the role of information technology in society. That being said, I was dismayed, but not surprised, to see so few mentions of the climate emergency in any of these reports. Overall, these Pew reports reminded me of how essential and empowering the Internet is in so many people’s lives.

Here are a handful of the most useful reports. The full list is on this spreadsheet.

“Cataloging projects”

I put this spreadsheet together after reviewing 1000 pages of my own notes on digitality, 30+ reports from the Pew Research Center from the last 10 years, and notes from our November 2021 workshop on cultural-sector climate action.

There are three tabs

  • References lists 323 digital-related sites, apps, technologies, concepts, patterns, phenomena, and attributes that I’ve tagged, subjectively, with some adjectives like prosocial, civic, empowering, and dangerous.

  • Sorted by tag count shows each tag on its own column, and then a list of all the digital-related things that have that tag. You can hover your mouse over each cell to see a note and link (if there is one)

  • Link to sources shows a list of 89 articles, books, and references mentioned on the References tab

The empowering side of digitality

The Dark Side

Disruption Theory

Books, Articles, Videos

A big long list of relevant resources in this spreadsheet here, and a handful of the most relevant below.

It’s really based on an analogy, if you will: that seemed to work in other times - that the idea of having access to the collective works of humankind has been a win.
— From an interview with Brewster Kahle of the Internet Archive, WFMU’s Radio Free Culture, October 9, 2012

The full quote:

Ken Garrison: When I was telling my wife about what I was going to be talking with you about, she had a naïve but kind of profound question, which is “Why are you doing this? Why are you trying to archive the entire world and the entire internet?”

Brewster Kahle: It’s really based on an analogy, if you will: that it seemed to work in other times - that the idea of having access to the collective works of humankind has been a win. So, we all look back to the Library of Alexandria. And by going and pulling together the works from all over the world and translating them then into Ancient Greek, they were able to come up with fantastic discoveries. They knew how big the world was. They knew it was round. They knew how big it was within a couple percent. Euclid authored “Elements,” which is what it is I still studied as geometry in high school. So, fantastic things can come of it if you can leverage the works of other people. And the reason why I got involved in the whole area of building the library back in 1980 was just kind of on that analogy and the thought that technology allows us to do this and it seems like a good thing to do.

The Public Domain

The internet gives access to the digitised portion of that knowledge and creativity on a scale previously impossible. It is the driver for massive digitisation efforts that will fundamentally change the role of cultural and scientific heritage institutions. The digitisation of analogue collections creates new opportunities for sharing and creative re-use, empowering people to explore and respond to our shared heritage in new ways that our legislation has yet to catch up with. It has also brought copyright to the centre of attention for holders of our cultural and scientific heritage. Our memory organisations have for generations had the public duty of holding the heritage in trust for the citizenry and of making it accessible to all. Both of these functions are usually conducted at the citizens’ – i.e. the tax payers’ – expense.
— Beautiful words from the Europeana Public Domain Charter, 2011
Arguments concerning the opportunity cost of open access (giving away potential revenues, for example) are based less on specific examples than on hypothetical opportunities — “the magic app” — that frankly never materialise.
— From The Problem of the Yellow Milkmaid: A business model perspective on open metadata (PDF), Europeana, 2011. (quote is from a case study about Yale University // an interview with Meg Bellinger, page 23)
The non-commercial clause that has governed use and re-use of the Museum’s metadata is rooted in the belief that non-profit academic charities should enable free use only for non-profit purposes. But in the digital age, with evidence that use and re-use can increase knowledge when it is openly linked across the entire web, the new view is that data funded by the taxpayer should have the broadest possible distribution.
— From The Problem of the Yellow Milkmaid: A business model perspective on open metadata (PDF), Europeana, 2011. (quote is from a case study about the British Museum; an interview with Dominic Oldman, page 24)
It turns out to be surprisingly hard to convince (some) people that the very best thing to do with the treasures of the world is to give them to the world.
— From a comment on The Great Digitization Or The Great Betrayal? Techdirt

The comment continues,

It turns out to be surprisingly hard to convince (some) people that the very best thing to do with the treasures of the world is to give them to the world. So many of them [museums and other collecting institutions] are so fixated on ‘ownership’ that they just can’t let go. Hopefully, they’ll all die off soon and the generation now growing up will take a more mature approach — that is, they’ll realize that everything from academic papers to great art belongs to everyone, and that anyone attempting to claim them for themselves is a hoarder — to be despised, shunned, and overruled.