Entertainment logic

“Journalism academics have always known that newsworthiness, as the American press defines it, isn’t a system with any coherence to it. It doesn’t make any sense. It’s just a list of factors that occasionally come together to produce news. There’s no real logic to it, other than it’s a list of things that can make something news. The advantage of it is that it leaves maximum leeway for editors to say, ‘This is news,’ and, ‘That’s not news,’ and so it’s news if a journalist decides it’s news.”

Jay Rosen, from Is the media making American politics worse?, in which Rosen is interviewed by Vox's Ezra Klein, 22 October 2018

Rosen continues,

One of the things that slips in there, of course…is that entertainment logic can actually be the logic that a news company is operating under, and it doesn’t have to explain that to its users, or even to itself.

An example I would use is the way that CNN has purchased these pro-Trump talking heads. That doesn’t have any editorial logic to it. It makes sense to have conservative voices. It makes sense to have people from the middle of the country. It makes sense to have people who have certain priorities.

It doesn’t make editorial sense to have a pundit who is defending Trump, right or wrong. But it does make entertainment sense to have people like that on the air, if you are following entertainment logic.