Such moments represent

I stumbled across the kind of scene that can momentarily catch you off guard — four teenage girls playing trumpets and trombones in a dirt yard adjacent to a half-built church on a hill, on the edge of a town called Beni. There was something haunting about that sound in that place. Storm clouds rolled in, as they did most afternoons, and the air became heavy. It seemed to keep the sharp metallic notes from floating too far away. I knew the scene had no direct link to the Ebola story I was reporting, but I shot it anyway, trying not to disturb the girls. I wasn’t sure the image would be published, but I felt the moment was still important. These girls wanted to be better musicians and were rehearsing to improve. It's easy to get caught up in the hype and drama surrounding conflict or a catastrophic epidemic, but such moments represent what's happening on the ground as much as any scene more obviously related to the Ebola narrative. It’s a quiet reflection of daily life amid an unfolding tragedy.

Photographer Finbarr O'Reilly, @finbarroreilly, commenting on his photo Democratic Republic of Congo in The Year In Pictures, New York Times, 15 December 2019