“Let’s face it, the universe is messy. It is nonlinear, turbulent, and chaotic. It is dynamic. It spends its time in transient behaviour on its way to somewhere else, not in mathematically neat equilibria. It self-organises and evolves. It creates diversity, not uniformity. That’s what makes the world interesting, that’s what makes it beautiful, and that’s what makes it work.”
Donella Meadows, Thinking In Systems: A Primer. Chelsea Green Publishing, 2008. Page 181. Via Kate Raworth's Doughnut Economics.
It is an often overlooked fact that one of the easiest ways to learn about a foreign culture is through the books it produces for its children. Shortly after my family moved to the Netherlands last summer, we discovered “zoekboeks” (pronounced “zhook-book”) the genre of kids’ picture books that invite you to search (“zoek”) for characters, objects or events obscured by visual busyness. English-language books for kids are hard to come by here, and we didn’t speak or read Dutch yet, so the wordless zoekboek was a welcome find.
The zoekboek is closely related to a German genre, the Wimmelbuch, or “teeming book.” A “wimmelbook” — in this era of fluid borders and cultures, the word is often rendered as a mash-up of German and English — is “a book of plenitude,” writes Cornelia Rémi, a German professor who is the only scholar known to consider the genre in depth.

She argues that the zoekboek and the wimmelbook differ from each other: The zoekboek gives the reader explicit search tasks (where’s Waldo?) and often uses words, while the wordless wimmelbooks “allow for manifold reading options and encourage a highly active response from children and adults, which rightfully might be called a form of playing.” When I now read traditional storybooks (which we also do at home), they seem rigid and prescribed in comparison.
My family reads our wimmelbooks so much, we’re loving them out of their bindings. But they really sank their teemingness into me as I was reading Richard Sennett’s “The Foreigner: Two Essays on Exile,” in which he describes how the political revolutions of 1848 redefined nationalism from one based on monarchies or concocted geographic partitions to one based on ordinary rituals, everyday life and authentic selves.

The revolutionaries of the age “believed that a nation was enacted by custom, by the manner and mores of a volk: the food people eat, how they move when they dance, the dialect they speak, the precise forms of their prayers,” Mr. Sennett writes. Wimmelbooks do just that — they show people glorying “in their ordinary selves,” as he puts it.

Unprecedented concentration of power

We can recognize that over the centuries we have imagined threat in the form of state power. This left us wholly unprepared to defend ourselves from new companies with imaginative names run by young geniuses that seemed able to provide us with exactly what we yearn for at little or no cost. This new regime’s most poignant harms, now and later, have been difficult to grasp or theorize, blurred by extreme velocity and camouflaged by expensive and illegible machine operations, secretive corporate practices, masterful rhetorical misdirection, and purposeful cultural misappropriation.”

[…] This unprecedented concentration of knowledge produces an equally unprecedented concentration of power: asymmetries that must be understood as the unauthorized privatization of the division of learning in society.
Shoshana Zuboff, The Age of Surveillance Capitalism: The Fight for a Human Future at the New Frontier of Power. 2019. Wikipedia link. The two passages quoted are from different sections of the book, but their placement together helps with context.

Not a citizenry (The Age of Surveillance Capitalism)

Uncertainty is not chaos but rather the necessary habitat of the present tense. We choose the fallibility of shared promises and problem solving over the certain tyranny imposed by a dominant power or plan because this is the price we pay for freedom to will, which founds our right to the future tense. In the absence of this freedom, the future collapses into an infinite present of mere behavior, in which there can be no subjects and no projects: only objects.

[…] Google’s ideal society is a population of distant users, not a citizenry. It idealizes people who are informed, but only in the ways that the corporation chooses. It means for us to be docile, harmonious, and, above all, grateful.”
Shoshana Zuboff, The Age of Surveillance Capitalism: The Fight for a Human Future at the New Frontier of Power. 2019. Wikipedia link. The two passages quoted are from different sections of the book, but their placement together helps with context.

Unnecessarily Beautiful Spaces for Young Minds on Fire

Part of the 826 Valencia Tenderloin District space in San Francisco

Kids are used to cinderblock walls, plastic chairs, and industrial wall-to-wall carpet. So many spaces for kids are designed to withstand their presence, as opposed to celebrating it. Sterile, brutalist learning boxes can suffocate the mind and make a young person feel they are being contained, instead of being set free. If we want to foster creativity and sensitivity and students, we must surround them with a necessary, even extravagant beauty.

An inspired learning environment sets the imagination on fire and makes a young person feel loved. This is true: they feel loved, sensing the encompassing affection and respect that went into the creation of that learning space. And with beauty all around them, they will want to make beautiful things, too.
Dave Eggers, introduction to Unnecessarily Beautiful Spaces for Young Minds on Fire (McSweeneys, 2008).

A very small substance

The truth is a very small substance of all information in the world.

First of all, it's costly. If you want want to write a truthful account of anything you need to research, you need to gather evidence, to fact check, to analyze. That's very costly in terms of time and money and effort. Fiction is very cheap. You just write the first things that comes to your mind.

The truth is also often very complicated because reality is complicated, whereas fiction can be made as simple as you would like it to be, and people prefer usually simple stories.

And finally the truth can be painful. Whether the truth about us personally — my relationships, what I've done to other people, to myself or entire nations or cultures — whereas fiction, you can you can make it as attractive, as flattering, as you would like it to be.

So in this competition between truth, and fiction, and fantasy, truth is at a huge disadvantage.

If you just flood the world with information most information will not be the truth, and in this ocean of information if you don't give the truth some help, some edge, the truth tends to sink to the bottom, not rise to the top.
Kara Swisher & Yuval Noah Harari on Tech Bros, Witches & the Information Flood. Yuval Noah Harari. October 16, 2024. At 10:58.

Regarding the obstacles faced by young activists

...Young activists face additional obstacles when they seek to make their voices heard. [Mary Lawlor, the Special Rapporteur on the Situation of Human Rights Defenders] identified intimidation and harassment in online spaces and the media, lack of adequate support from traditional allies, academic sanctions, and legal, administrative, and practical barriers to participation in civic space as just some of the hurdles faced by child and youth activists. Despite these barriers, she notes, “Child and youth human rights defenders have been at the forefront of human rights movements and have achieved a significant impact, which should be acknowledged, celebrated and highlighted.”
From the report On Thin Ice: Disproportionate Responses to Climate Change Protesters in Democratic Countries. Climate Rights International. September 2024.

Regarding the role of museums in climate protests

[Protesters] believe that museums hold unique significance in the fight against climate change. They told Climate Rights International that museums are institutions that safeguard our history. They believe museums act as cultural institutions and often serve as symbolic representations of societal values and heritage. By staging protests at museums, some activists believe they can strategically draw attention to the interconnectedness of environmental issues and cultural preservation, emphasizing the threat climate change poses to both natural ecosystems and human history."
From the report On Thin Ice: Disproportionate Responses to Climate Change Protesters in Democratic Countries. Climate Rights International. September 2024.

Museum of Solutions wins international Hands On! Children In Museums Award

Montage of program posters from the Museum of Solutions.

My former home, The Museum of Solutions, Mumbai (MuSo) has won the prestigious international Hands On! Children in Museums Award for 2024.

Congratulations to the MuSo team; founder Tanvi Jindal, the JSW Foundation and supporters — and the extraordinary community of young people MuSo is privileged to serve. <3

The Hands On! award has been given annually since 2011 by the European Museum Academy and the Hands On! International Association of Children in Museums to recognize excellence and innovation in children's museums "through interactive exhibits, educational programs, or inclusive design...that inspire curiosity, learning, and a sense of wonder in young minds."

In bestowing this award, the judges wrote — quite poignantly,

“The different zones on each floor address issues and ideas that are contemporary, bold and emotional. MuSo is not just about exhibits, it is about unlocking the potential within every child to change the world, using exhibitions, educational activities and public programmes to promote learning, enjoyment, reflection, creativity and knowledge. MuSo asks kids to put their ideas into practice, to make projects, finding strategies and solutions, and to realise them.”

The citation continues,

"MuSo is revolutionary, but its ethos is a model for many other countries […] MuSo has a strong belief in the power of children and that children are the changemakers. The young visitors are encouraged and empowered to think for themselves and to find methods and solutions, looking to the future, to make a better world for their communities. The museum does exceptional work, thanks to its extraordinarily committed staff. In the long run, MuSo contributes to raising responsible members of society. Who else but a children’s museum can carry out this educational task in such a holistic way?"

I'm a bit overwhelmed by the judges' words! This feels like what MuSo set out to do so many years ago and yet it still seems bold and aspirational to me, full of challenges and unknowns as well as deep significance.

(I am remembering a story MuSo's Abhik Bhattacherji told me months ago when I was still in Mumbai. As I recall, he had asked an elderly woman in the museum's library — LiSo, the Library of Solutions — how she was enjoying her visit and she burst into tears. She told him that she had grown up in great poverty, and she never imagined that in her lifetime she would see her two young grandchildren happily reading books together in such a beautiful, joyous, purposeful space.

Almost every day brought a story like that, and almost every day brought a new glimpse of just how deeply significant and impactful [and necessary!] this new kind of museum can be. Let's have many more of them. Young people, and our collective future, deserve no less.)

//
Cross posted on LinkedIn

Galactic-sized responsibility

It's possible that we're the only civilization in the Milky Way galaxy at the moment. If we're talking about the meaning of it all, meaning is a property of intelligence. Clearly the universe means something to us. Meaning exists here. But if there's no other intelligence out there in our galaxy, and we destroy ourselves, then we might eliminate meaning in a galaxy of 400 billion stars — forever. So consider that, world leaders. You have potentially a galactic-sized responsibility to maintain meaning in a galaxy.
Astrophysicist Brian Cox. Brian Cox - Are We Alone in The Universe 🤔? As a Civilization? November 23, 2023.

References for European Heritage Hub Forum, Bucharest

Just scrapping together a quick list of references for my talk today at the European Cultural Heritage Summit in Bucharest.

This was an event organized by the Europeana Foundation and the European Heritage Hub in association with Europa Nostra.

The topic was an exploration of the role of digital cultural heritage in the triple transition of Europe (digital, green, and social).

My role was to present a short provocation advocating for the daring, urgent use of cultural infrastructure to catalyze global effort - - actual action - - towards the climate emergency and the SDGs.

Links and references:

Examples of projects on the other side of the Big Frickin’ Wall

  • Brooklyn Library, Books Unbanned

  • MIT Open Courseware

  • Internet Archive National Emergency Library

  • Leiden European City of Science 2022 (365 days of programs in the community)

  • NEMO - Network of European Museum Organizations (activity around climate action, political action, etc)

  • List of references (good Digital stuff) prepared for European City of Science (40+ projects in 4 blog posts starting here)

  • MuSo homepage

  • National Geographic Society’s pivot toward environmental/social impact reporting (I don’t have a reference for this, but as I recall the editors decided to pivot to a more activist voice as a result of the programs and panels that took place during the Society’s 100th anniversary in 1988.)

  • Hip Hop Festival, Maramureş History & Archaeology Museum

    • https://hiphopkulture.ro/evenimente/roots-festival-de-cultura-urbana-2024-baia-mare/

    • https://www.directmm.ro/comunitate/cultura-urbana-la-muzeul-de-istorie-maramures-in-premiera-va-avea-loc-concert-special-de-hip-hop-in-incinta-institutiei-cand-are-loc-recitalul/

    • https://www.directmm.ro/comunitate/cultura-urbana-la-muzeul-de-istorie-maramures-in-premiera-s-a-organizat-un-concert-special-de-hip-hop-fondurile-pentru-achizitia-de-rechizite/

    • https://​www​.maramuresmuzeu​.ro​/

  • Green Council, Șirna Communal Library, Prahova County, Romania

    • https://www.youtube.com/watch?v=vC1CC4lhEmQ

    • Slides: https://www.slideshare.net/slideshow/irna-public-library-romaniapdf/257829154

    • https://www.ifla.org/events/ifla-ensulib-webinar-series-sirna-public-library-from-romania/

“Some of the vaguest language ever devised has been used here in the last three days. The fact that there are 45,000 ‘traiblbazers’ here couldn’t devalue the title any more. Can AI sit there in a fleece vest? Can AI not go to events and spend all day at a bar?”
Comedian John Mulaney, addressing attendees of Dreamforce, Salesforce.com's AI conference in San Francisco. ‘Can AI sit there in a fleece vest?’: John Mulaney’s Salesforce roast was a masterclass in corporate comedy. The Guardian, September 24, 2024.

The technology they like, no matter the social cost

“I was struck by how many of the wealthiest and post powerful figures in Silicon Valley — including some I knew — were now loudly backing Mr. Trump. ... Mr. Trump appeals to some Silicon Valley elites because they identify with the man. To them, he is a fellow victim of the state, unjustly persecuted for his bold ideas. Practically, he is also the shield they need to escape accountability. Mr. Trump may threaten democratic norms and spread disinformation; he could even set off a recession, but he won’t challenge their ability to build the technology they like, no matter the social cost.”
Why Do People Like Elon Musk Love Donald Trump? It’s Not Just About Money. New York Times Opinion Guest Essay by Chris Hughes, co-founder of Facebook and chair of the Economic Security Project. September 25, 2024.

Huxley and Orwell

Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacies to think.

What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one.
Neil Postman, Amusing Ourselves To Death: Public Discourse in the Age of Show Business, 1985. (via 20th anniversary Edition, published 2005. Page XIX.)
“Few companies have greater influence over what we eat (or wear, or fuel our cars with, or use for personal hygiene). Costco dominates multiple categories of the food supply — beef, poultry, organic produce, even fine wine from Bordeaux, which it sells more of than any retailer in the world. It is the arbiter of survival for millions of producers, including more than a million cashew farmers in Africa alone. (Costco sells half the world’s cashews.) Its private label, Kirkland, generates more revenue than towering brands like Nike and Coca-Cola.”
How Costco Hacked the American Shopping Psyche by Ben Ryder Howe. NY Times, 8 August 2024.

Messy

Any explanation which would make the thing being explained simpler or more elegant than it is should be treated with suspicion. Ockham’s Razor needs a second part: Only expect as much simplicity in an explanation as […] the thing being explained allows. The world is sometimes messy, and therefore some explanations of how it works will be messy. Explanations often achieve elegance only by ignoring the rough edges of reality. Very few things in the world lack imperfections and redundant features.
Julian Baggini, How to Think Like a Philosopher: Essential Principles for Clearer Thinking, 2023. Page 83.